![]() ![]() Quintessentially American, quintessentially Fender, the Deluxe Reverb remains as relevant and compelling as ever. Meanwhile, tremolo and spring reverb will provide a truly musical sense of depth and movement to your sound. The Custom channel is a little more stripped-down, with just volume, bass and treble controls, but if you're in a position where you can get some serious volume going, it delivers a lovely, chewy, tweed-esque overdrive that’ll get rock players excited. The two channels – Custom and Vintage – each have dual instrument inputs. Under the hood, there are hand-wired tube sockets and custom-made Schumacher transformers. It references Fender’s CBS-era amplifiers with its silver and turquoise control panel, matching grille cloth and aluminum drip edge trim, but sets about updating the response with reduced negative feedback to bring on that raunchy overdrive a little earlier. Adequately powered, with sumptuous cleans and a fine, sparkling growl when dimed, it’s an amp for most seasons, equally at home with Nashville twang as it is gritty ’70s US rock. If you asked a thousand guitar players what their favorite Fender tube combo was, the Deluxe Reverb would surely be among the most popular answers. It’s a serious amp at quite a serious price Read the full Fender Blues Junior IV review Classic rock, jazz and rock ’n’ roll are all comfortably within its wheelhouse. Drive it hard and it’ll respond with a raunchy drive that’ll clean up quite nicely with your guitar’s volume control. Whether partnered with a Strat and a Tube Screamer, or a Les Paul and a boost, there are plenty of sweet spots to be had. Indeed, the Blues Junior makes a fine pedal platform – just so long as you don’t need too much headroom.Īs the name suggests, it specializes in blues tones. The Blues Junior is not a high-gain amp – that’s not a quality Fender tube amps possess – but it does pack some heat that can be accentuated nicely with your dirt box of choice. The single 12” Celestion A-Type speaker is housed in a particle board cabinet, and does a good job of rendering that clean Fender spank and – when you turn it up – hot, bright overdrive. ![]() Launched in 1995, it boasts a simple, single-channel set-up, with chicken-head controls for volume, treble, middle, bass, master volume and reverb, plus a very neat Fat switch that does exactly what it says, adding a little tubbiness and meat on the bones. Sensibly priced, adequately powered and offering truly exemplary, tube-driven Fender tones, the Blues Junior is a perennial best-seller for good reason. Lacks clean headroom when playing with a band ![]()
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